François Kevorkian, alias DJ François K, was born and raised in France in 1954. A passion for music led him to playing the drums during his teen years. François moved to the United States in 1975, where he hoped to find gigs as a drummer, but the competition was heavy, and François had to look at other areas to make a name for himself — which led him to becoming a DJ in underground New York City clubs.
His career then skyrocketed, and he quickly made this his full-time occupation, although some work was at more commercial venues such as the club New York, New York in 1977. He taught himself tape editing and started making disco medleys, some of which are still popular to this day, such as Rare Earth's "Happy Song".
By 1978, he was offered a position doing A&R for the then-nascent dance indie record label Prelude Records, which immediately allowed him to go into the studio and do remixes.
His first remix, of a Patrick Adams production, "In The Bush" by Musique became a wild success both in clubs and on the radio. It was the first of many remixes that helped Prelude define the sound of New York's dance music, including many memorable songs, such as "You're The One For Me' and "Keep On" by D-Train, and "Beat The Street" by Sharon Redd. His stint at Prelude ended in 1982, the same year where he collected the most number one singles in Billboard's Dance Music Chart, which included his remixes of now-classic songs such as "Situation" by Yazoo, and "Go Bang" by Dinosaur L.
Due to the pressures of studio work, he had abandoned DJing around 1983 to dedicate himself to recording and mixing full-time, but couldn't stay away from the turntables, and started spinning again in early 1990. By that time, the scene had really become much more international, and he quickly was able to start traveling and gaining much exposure overseas, including Japan. He toured there, DJ'ing with Larry Levan in the Summer of 1992 (the 'Harmony Tour') right before Levan's death in November of that same year. The demand for his DJ appearances led him to many of the best club venues around the world, including London's 'Ministry Of Sound' and 'Fabric', Japan's 'Spacelab Yellow', Ibiza's 'Pacha' and 'Space', as well as Italy's 'Angels Of Love' and many large-scale festivals, in countries spanning the entire globe.
His career as an artist did not stop evolving, as he rekindled his interest for a more electronic sound, and the release of his Sonar Music set in 2002 marked a turning point; he started playing a much edgier and futuristic style, with more to do with techno and dub than the house sound he was mostly identified with as a DJ until that time.
In April 2003, he also started a DJ residency at a new weekly Monday night event in New York City called Deep Space NYC, and which focuses on the dub aesthetic in all of its forms. The musical scope there is extremely eclectic, ranging from spaced-out techno to the deepest reggae, dubstep, hip-hop as well as drum & bass, house, and cosmic disco sounds.